BOY CULTURE RATING: *** out of ****
When country singer Chely Wright came out as a lesbian a couple of years (already???) ago, many people I know scoffed. "Who?" was one response, as was, "Who cares?" It was just another example of the tunnelvision through which we see popular culture. If you're young, old people are off your radar, if you're a white suburbanite hip-hop culture might seem foreign (or, conversely, you might be obsessed with it) and if you're not into or surrounded by country music, it barely exists.
But Chely Wright was a major country star for a decade when she decided to come out, which she did with a big media splash courtesy of Howard Bragman—she was on magazine covers, on the radio, on morning shows and she was selling a memoir. Some gay people find this kind of...out-resourcing, let's call it...repulsive, taking offense that an artist's sexuality is being used to make money.
I disagree, and I think watching the new documentary Chely Wright: Wish Me Away—opening from First Run Features in NYC and Los Angeles June 1—a great argument is made for my way, and Chely's way, of thinking. It's not only about maximizing your buck because you might be out of work for a while, it's about using your public capital to draw attention to an important cause rather than squandering it in a completely self-centered, easy-way-out way.
Continue reading "And Away We Go—A Review Of Chely Wright: Wish Me Away" »